We premiere the first single from Snake-Skinned, the debut LP from Sudbury psych-rockers Will Powers.

We premiere the music video for “Umbilical Stain” from Edmonton’s Paint Drying ahead of it’s release tomorrow, and the band’s cassingle release on April 19th.

Jeff MacCallum writes about the Ritchot Textiles show at the Aviary in Edmonton, AB on April 2nd, 2025.

We premiere the first track from the new EP Single Cell Nostalgia by Montreal band The Painters, coming out on April 11th.

We premiere the new LP from Toronto noise-rockers Gloin.

We premiere the debut release from The All Margarines and Spreads Blues Band, a little springtime ditty called “Can I Get Your Number?”.

We premiere “Razzle Dazzle” from Edmonton rockers Tebby & the Heavy, the second single from their just-announced debut album Heavy Afternoon, coming in the summer of 2025.

We premiere the new music video the “Hot Dr. Pibbs”, from Bad Hoo’s May 2024 album A Run-In With Worms.

We premiere the video for the new song from Paige Drobot, "Alien Girl", the A-side to a new 7" record that you can preorder today.

We premiere the song “Same Hands” from Mallory Chipman’s new album Songs To A Wild God, due out tomorrow, September 27th.

Devours has always been far outside the box, but it wasn’t until his Sports Car Era that he was ready to fully embrace it.  Read Clay Geddert’s review of the new LP.

The curtains are up, the goblins are out, the rat king wants your child. What are you waiting for? Dive into the madness, surrender to the spectacle, and give Shunkland a listen.

Harman Burns reviews Dan’s Boogie from Vancouver indie stalwart and unofficial musician laureate Dan Bejar, of Destroyer.

Some Nights is a fresh, interesting, and satisfying listen; so says Chris Lammiman in his review of Brock Geiger’s debut record.

Tia Julien reviews salt from Maya Cook, an LP that demonstrates the versatility and range of a seasoned artist, with a distinct sense of identity and connection to their craft already firmly in place.

Clay Geddert reviews the sophomore record from Calgary’s Jairus Sharif, an emotional and spiritual journey that is meant to be felt, not pondered.

“Something like a tapestry or a mosaic - weaving together a seemingly million different styles and threads to reveal a picture that’s greater than the sum of its parts.”

Artemis Peaslee reviews Old from Newfoundland band Swimming, a nine-track LP that exceeds the high expectations set on their 2021 record That’s Okay.

Ava Glendinning writes about The Burning Hell’s Ghost Palace, a mischievous and defiant celebration of hope and humanity in the face of armageddon.

Julie Maier reviews Because You Love Everything from Marlaena Moore, a dreamlike jangle-pop meditation on self-reflection, vulnerability, and the relentless need for creativity.

Harman Burns reviews Humanhood from The Weather Station, an essential album brimming with the pure force of human spirit in the face of existential threats.

Chris Lammiman reviews Out From Underneath by Montreal band Prism Shores, a breath of cathartic fresh air that simultaneously pulls you both inward and up and out of yourself. 

Find out what we are excited to hear in 2024.