It’s A New Day Tonight is a record from an artist refining his sound and starting to truly understand his capabilities.

Although the end of Frog Eyes fills many with a deep sorrow, we must consider ourselves blessed that they gave us one last triumph to add to our collections.

One of the most impressive debuts you will ever hear, Body Lens is a perfect six song blast of post-punk prowess.

After stumbling into the opportunity to score the first Wolfcop movie back in 2014, Shooting Guns may have found their niche.

Robert Diack’s Lost Villages surges to the top of the post-rock heap of must hear albums, a brilliant example of how much better music would be if the jazz world opened it’s heart and mind to the idea of cross pollination.

Being original is one of the hardest things to do in modern music and Freak Heat Waves have managed to create one of the most unique albums in years. 

Kristian North’s debut solo record veers towards a cleaner sound drawing influences from classic rock & roll.

Alan Wilson’s third release as Bothy is reminiscent of a Sunday drive down a coastal highway at dusk.

A growing reputation has made their debut one of the most anticipated Canadian albums for over a year and finally the wait is over!

Fitness' debut album, “-ing” (pronounced dashing) is a wild ride that sucks you in immediately and threatens to never let go.

An ability to write tracks that explode into sweeping crescendos while maintaining their fun-filled pop sensibilities is a gift that Shred Kelly hold over the heads of their contemporaries.

Jonathan Kawchuk doesn’t disappoint as he uses the tools in his toolbelt to craft an impeccable album inspired by nature.

Squids is an Edmonton four piece that is hard to pin down. They exist in a realm of odd time signatures, reverb and electronic experimentation.